2019 – a year in review

2019 was a year of extraordinary growth. We grew quickly and organically – and it was not without its challenges.

The residency supported the practices of 53 artists in 2019! Fifty-three!! We had to count twice. And we worked with even more brilliant Cork based artists on community engagement projects.

We continued working with Carol Anne Connolly as she further developed her community practice in Glenbower Wood. We published a lovely document of the project that can be found online here.

We worked with performer and storyteller Noelle O’Reagan, who in collaboration with sculptor Rob Ireson, led 6 sessions of Forest School for teenagers. Other creative opportunities for over 12s included a summer Zine Making workshop and a Street Art workshop. And all ages of Scouts went into the wood to build bower bird inspired shelters with artist Aoife Desmond.
Screenshot 2019-12-31 at 15.04.562019 saw our second edition of the revival of Killeagh’s May Sunday Festival. Over 1,000 people participated in the weekend. We kicked off with lantern making and a torchlight procession, told stories, heard music at Greywood Arts and in all the pubs, and installed Julie Sue Fiscella’s Meditation Tower in Glenbower Wood. We also presented one of our most meaningful community projects come together thanks to visiting German choreographer Isabel Bernhard. Cracks & Whispers was an intergenerational devised dance performance and photography project in collaboration with Mario Soose that had an incredibly deep impact on its participants and left a lasting impression on its audiences.

Over the summer we started a tradition of communal meals thanks to Australian artist Josephine Jakobi, and it has continued in her absence. This year, we hosted artists from the U.S., Mexico, Israel, Germany, Wales, England, Estonia, Canada, Sweden, South Africa, and of course from all over the isle of Ireland. We find that the type of artists who visit Greywood are authentic, generous, present and engaged. They are curious, kind and considerate. We’re grateful for getting to spend some time with all of these brilliant souls.

Screenshot 2019-12-31 at 15.04.42

Twice we hosted the Lazy River Band – a group of the loveliest local gents playing Americana and other music straight from the heart. Dancing away to their songs at August’s Music and a Meal was a highlight of my year. We also danced with Joanna Rotkin, screened films by Hannah RW Hamalian, and were taken over by the mysterious ‘Unnameable’ creatures of Hannah J Moulds. 

We also launched Crossing the Dissour: an online journal about creative process, and with the help of editors Ryan Mihaly and K. Abram, and 26 contributors, we saw two issues come to fruition.

This autumn saw our first edition of Unexpected Spaces Public Art Programme, which we are delighted to say will become an annual event. Robert Hais, a Swedish artist with an extensive public art practice, joined us for a month to create Exitman: Ireland. This bespoke animation included motion capture of locals and was projected on the Old Mill building for a weekend in October, and stands alongside Exitman projects in Stockholm and Brooklyn. We also had a crochet workshop with Elizabeth Stepney that led to yarn-bombing the village, street art pasted and painted by teens, and a family workshop based on concepts from Hais’ works. It was joyful to temporarily transform public spaces with a bit of magic and ingenuity.
Coach House LiamOLearyProbably the biggest, most exciting and most challenging endeavor of 2019 was the launch of our COACH HOUSE CREATIVE HUB project. We have big plans for a rural arts centre adjacent to the residency. We have identified the need for artist studios, arts education space, and a flexible event and exhibition space to support the growth of our community programmes, and have secured planning permission. We’ve made significant headway with funding the project, but still have a long way to go – approximately €150,000! Our first fundraiser, a Christmas Market, was a smashing success – and you’ll certainly see more opportunities to support this important development in the coming year.

There are so many people we want to thank for making this year happen. Too many to call by name here, and we know we’ve left some out. We’re grateful for all the support we receive – from our dedicated board and fundraising committee, to all the individuals and families that attend our events. Cork County Council’s Arts and Heritage Departments, alongside our local councilors, have shown their belief in the importance of creativity through their support of our community and public art residencies and other community projects. Our amazing work exchange participants Kate & Sarah have helped make things run smoothly behind the scenes and deserve tremendous recognition. And we had our first TY work experience student, Liam, who has become a much appreciated volunteer. THANK YOU ALL!

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Isabel Bernhard & cast of Cracks & Whispers by Mario Soose

2020 is a year for strategy. For planning and improving – from the big picture to the daily details. We’ll be working towards more funded residency opportunities. I’ll be carrying forward the knowledge gained achieving a special purpose award in enterprise development from CIT through the Women’s Rural Entrepreneurial Network (WREN) facilitated by SECAD this year, and I look forward to learning from the Irish Social Business Campus (ISBC), who specialise in supporting social enterprises in Ireland. 

2020 is the year we lay the foundation for future successes.

Our vision is to create a welcoming place where creativity and growth are nurtured. We want to support professional artists in their exploration of ideas and techniques. And we want to hold space for our local community to come together and explore self-expression. And we hope you will continue with us on that journey in the new year.

We wish you a new year filled with creativity, love and happiness.

Jessica Bonenfant
Artistic Director

Things to look forward to in 2020:

  • Announcement of 2020 residency awards
  • New Art Club for secondary school students & creative practice courses for adults.
  • Prose and poetry readings from the Winter Writing Residency Award winners Madeline Beach Carey and Angela T. Carr.
  • Continuation of the Arboreal Book Club with Carol Anne Connolly.
  • Our first family residency.
  • Spring community projects with artist-in-residence Aoife Banville
  • Coach House Project Gala
  • May Sunday Festival
  • Continued partnerships with the Monday Club Active Retired Group, St. Fergal’s National School, Inch Foróige youth group & Killeagh Scouts.

2020 Winter Writing Residency Award Winners!

This year – wow! We received 45% more applications than last year. It was amazing to see interest in the award grow, but it also meant that selecting winners was tougher than ever before. And behind each submission we read is a person – someone who has poured time, craft and passion into what they shared with us. We know how vulnerable it is to put your work out there to be scrutinised, so we want to say a heartfelt thank you to all the writers who shared their work with us.

We would like to congratulate Madeline Beach Carey and Angela T. Carr, the recipients of this year’s Winter Writing Residency Award on their outstanding entries. Each author will receive a week long residency in 2020, and Greywood Arts will host a reading of their work in the library. We can’t wait!

We’d also like to thank last year’s awardees, Aisling Flynn and Emily S. Cooper, for helping make the 2020 selection.


Prose:

carey photoMadeline Beach Carey
Born and raised in Baltimore, Maryland, Madeline studied literature and creative 
writing at Bard College. Since 2000 she has lived in Barcelona, Spain where she has worked as an editor, translator, cultural manager, and speechwriter.

Madeline’s stories and essays have been published in American literary journals as well as Catalan magazines. Her fiction has been supported by grants from Bread
Loaf Writers’ Conference in Vermont and the Edward Albee Foundation in New York.

In 2019 she was a fellow in fiction at Hawthornden in Scotland and in political
philosophy at the Faber Residency in Olot, Spain.

During her stay at Greywood she will be working on a novella, On the Flight Patterns
of Some Exotic Birds.

You can read selections of her work at madelinebeachcarey.com.

Poetry: 

AngelaTCarr_Headshot_BWAngela T. Carr
Angela is a poet, editor and creative writing facilitator. Her debut collection How to Lose Your Home & Save Your Life was published by Bradshaw Books in 2014. Winner of the 2019 IYeats International Poetry Prize and The Poetry Business 2018 Laureate’s Prize, chosen by Carol Ann Duffy, her work has been placed or shortlisted in over 40 national and international competitions. She is published in literary journals and anthologies in Ireland, the UK and US, including The North, The Lonely Crowd, The London Magazine, Mslexia and Banshee. Originally from Glasgow, she lives in Dublin. More at www.adreamingskin.com

 

Unexpected Spaces

We’re delighted to announce the line up for our autumn programme of public art! 

Culture Night Promo 1 (1)

Robert Hais is the recipient of the Unexpected Spaces Residency Award and will be creating a new edition of his animated Exitman video installation specifically for Killeagh Village. This residency is supported by Cork County Council’s Arts Grant.

Meet Robert on Culture Night September 20th from 7-9pm and learn about his process for creating the work. He wants to hear what’s on your mind to inform the shape the animation will take.

Thanks to Creative Ireland, we’ll be offering workshops for adults, teens and families in October. Unexpected Spaces Poster

Yarn Bombing Crochet Workshop
Workshops kick off on Thursday October 3rd with a two-part Yarn Bombing Crochet Workshop (second session Thursday October 10th) from 7-9:30pm (€20 for both sessions). Learn to make granny squares, pom-poms and other small shapes for installation in a public place in Killeagh village. Beginners and experienced crocheters welcome!

Booking on Eventbrite.

Street Art Workshop for Teens
On Saturday the 5th and Sunday the 6th of October we have a Street Art Workshop for secondary school students. It’s an opportunity for young people to voice what’s on their mind and share these thoughts with the community by respectfully making a mark on the village. They’ll learn to make moss graffiti, pastables and stenciled artworks. From 11am – 3pm, Bring a packed lunch, €30.  

Booking on Eventbrite.

Framing the Landscape
Last but not least, we have a really special opportunity for families to create a public art work with on Sunday October 13th from 2-5pm. In this hands-on afternoon inspired by the work of Unexpected Spaces public art resident Robert Hais, we will playfully explore what we see and how we look at the world around us. We’ll make a temporary exhibition in Killeagh village.

Booking on Eventbrite.

If you have any questions, or can’t book online, just drop us a line at create@greywoodarts.org or ring 083 845 1750. 

Poetry Workshop

with Supriya Kaur Dhaliwal
Tuesday September 3rd
7pm – 9:15pm  €10
To Book:  create@greywoodarts.org  or  083 845 1750

Poetry workshop web

This workshop is perfect for those at the beginning of their literary journey. Both published poets and poets who haven’t published a single poem before are equally welcome. 

The workshop cultivates a safe space to share your writing, and is an interactive environment for poets to share their thoughts.  Participants are invited to submit a poem prior to the workshop, which will be circulated in advance to the other participants.  

In the first hour, ten to fifteen minutes will be spent with each poem, with the opportunity to share thoughts and suggestions. 

The second half of the workshop is directed towards working with the traditional forms of poetry like sonnets, villanelles, sestinas, pantoums, and ghazals.  Participants will be invited to interact with prompts provided and write poems in their chosen form. 


Supriya Kaur Dhaliwal is a poet and writer from the Himalayan town of Palampur, currently based out of Belfast. She moved to Dublin over two years ago to pursue her MPhil in Irish Writing from Trinity College, Dublin. She has lived in Antwerp, Belgium where she contributed to the Beckett Digital Manuscript Project. She was the Poetry Editor of Trinity College, Dublin’s postgraduate journal College Green and has worked in publishing sector and a photobook library in Ireland. Currently, she is an editor for The Open Ear journal at Queen’s University, Belfast. Supriya is the author of two poetry collections, The Myriad and Musings of Miss Yellow

She has been actively involved in the literary scene in India, contributing to numerous literary carnivals across the country, including Kumaon Literary Festival, where she was the chairperson of Students’ Committee for the year 2015. She helped conducting creative writing workshops on behalf of the poetry group Poets Corner with the children below ten years of age at Village Arohi as a part of this literary carnival. She was also a participant of the Te Aroha Writers’ Retreat (November, 2014) in Dhanachuli, Uttrakhand, a prequel to Kumaon Literary FestivalShe is also associated with the Delhi Poetry Festival. She is the core team member of Poets Corner, a one of a kind poetry collective based out of New Delhi.

Supriya was longlisted for the 2018 Coffeehouse Troubadour Poetry Contest which was judged by Jo Shapcott and Daljit Nagra. She was shortlisted for the Poems for Home Contest for charity organised by an eminent organisation called Shelter which aims at eradicating homelessness. Recently, during October, 2018 Supriya read at the Tanta International Festival of Poetry in Egypt. Supriya’s poems have been translated into Hindi, German, Arabic and Italian. She is currently pursuing her second Masters in Poetry at the Seamus Heaney Centre for Poetry at Queens University, Belfast.

An Arts Centre for Killeagh!

For Immediate Release:

An Arts Centre for Killeagh!
Greywood Arts to renovate derelict coach House into Creative Hub

Greywood Arts is delighted to announce their plans for a rural arts centre in Killeagh, East Cork. The not-for-profit group has identified the need for artist studios, arts educations space, and a flexible event and exhibition space to support the growth of their community programmes.

Greywood Arts opened as an artist’s residency in 2017 and has since brought nearly fifty writers, visual artists, musicians and performers from all over the world to the rural village of Killeagh. In addition to supporting artist development, their mission is to increase creative participation in their local community. Greywood Arts aims to make the arts part of daily life in Killeagh and East Cork by offering a range of cultural activities and opportunities for self-expression.

Artistic Director Jessica Bonenfant says: “The environment we cultivate starts with making people feel welcome and included. It’s a joy to see the participants in our cultural and educational programming making meaningful personal and group experiences. We want to help shape the cultural landscape of East Cork, and to do this to the best of our ability, we need more space! It’s exciting to be at the beginning of this new phase of our journey, and we wouldn’t be here without the tremendous support of the community.”

Greywood Arts plans to renovate a derelict village centre outbuilding into an arts centre and community creativity hub with two affordable, shareable artist studios for short or long term lease. The context offers rural artists a place to work where they can teach classes, exhibit their art and connect with other creatives. Establishing a dedicated arts education space will allow Greywood Arts to programme ongoing classes for all ages, workshops with visiting artists, as well as camps during school breaks. A flexible event space will be able to accommodate activities from rehearsals and performances to exhibitions, workshops, meetings and other events. The centre will be able to increase the number of literary readings, artist talks screenings and music events on offer, creating a hub for creative activities in the area.

The project has received planning permission and Cork County Council’s Arts officer, Ian McDonough, has expressed support for the endeavour. The organisers are hopeful regarding funding proposals made earlier this year with the assistance of SECAD and Cork County Council. However, the group will still need to raise approximately €75,000 to complete the renovations and open the coach house creative hub by 2021.

The adjacent Georgian house, where the artist’s residency is based, holds a significant presence in the streetscape. It is entered in the National Inventory of Architectural Heritage and located within the Architectural Conservation Area for Killeagh. The property’s rich history begins as family home, becoming an RIC barracks which was burned by the IRA in 1920. The now derelict coach house became a sawmill until the 1950s.

Increasing access to arts education is essential to developing the thinkers of tomorrow and is in line with the government’s Creative Ireland strategy. As well as developing creativity, arts education builds confidence and teaches transferable skills like problem solving, perseverance, collaboration, and communication. Creativity and the arts have an important role in an individual’s well-being through self-expression, and in larger society by providing ways to process the complexities of the world around us. Creating an inclusive and intergenerational place to gather, engage and exchange strengthens our sense of community.

Culture enthusiasts in East Cork are delighted to have access to the creative hub nearby, and Killeagh Village is strategically located in the centre of the district. It is easily accessible by public transport and nearby the future Midleton-Youghal Greenway. The project is a positive addition to the village centre.

Front

Drawings Courtesy Kenneally Rochford & Associates

Coach House LiamOLeary

Photo by Liam O’Leary

 

Contact: Jessica Bonenfant
create@greywoodarts.org
083.845.1750

Project Unveiling
There will be a project unveiling and champagne reception at Greywood Arts on Saturday 24th August at 8pm. Discover Greywood Arts’ plans for the future, see the coach house renovation plans, learn about the property’s history and enjoy live music. RSVP to create@greywoodarts.org essential.

project unveiling

Workshop Week!

Workshop Week at Greywood Arts: July 8-11
Visiting artists share their skills! 
workshop week
Monday July 8th 
10am – 1pm: Drawing Using the Grid Method with Lino Azevedo.
Learn a technique for creating accurate detailed drawings.
FigDraw3
7pm – 9pm: Creativity Examined with Dr. Lori Kent
Demystify the creative process through discussion & making.
Tuesday July 9th & Wednesday July 10th
11am – 3:30pm: Groundwork for ages 13 – 16 with Carol Anne Connolly 
Close looking, deep listening, and making art from the materials we find in Glenbower Wood.
 
Thursday July 11th 
10am – 1pm: Make Paint from an Egg! With Kristen Phipps. 
Learn how to make tempera paint, and then create your own masterpiece. For all ages. 

To Book: 
083 8451750
OR
Eventbrite:

June at Greywood

Is it starting to feel like summer?

  • 5th: Art Share: a conversation with Orla McAlinden & Mary Coss
  • 20th: Work-in-Progress Sharing with composer Yehonatan Chekhanovich
  • 30th: Unexpected Spaces Public Art Residency Submissions Due

Coming Soon:

  • Summer Workshops & Events!
  • Issue No. 2 of Crossing the Dissour: an online journal about creative process goes live in July.

Art Share 
Wednesday 5 June

We had an incredible, engaging evening in conversation with past writer-in-residence Orla McAlinden and visiting visual artist Mary Coss.

We spoke about the intersections in their work, the importance of telling women’s stories, and how they each approach current social issues through stories from the past. And, Orla read from her brilliant new book of short stories, Full of Grace!

We convinced composer-in-residence Yon to play from his orchestral suite on the piano, and writer-in-residence Angela Coraccio read a really moving and funny piece from her memoir, which tackled the parts of being a caregiver that we simply don’t talk about – but so many of us can relate to.

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Angela, Mary, Jessica, Orla, Yoni


Work-in-Progress Sharing 
Friday June 21st 8pm

Composer-in-residence Yehonatan Chekhanovich will share the orchestral suite he has been working on all month.

Yon is a composer from Jerusalem currently studying at McGill in Montreal. He writes different types of pieces, from modern classic to smooth experimental music. He gets his inspiration from his many travels around the world which gives a unique and diverse experience. 

Hear the third movement of L’Orphelin here:

Visual Artist Kristen Phipps was born and raised in Wichita, KS and lives in Columbus, OH as an MFA painting candidate at The Ohio State University. She received a BFA in painting from the Savannah College of Art and Design and an AA from Cowley County Community College. Visit her website to get a sense of her vibrant paintings or follow her on Instagram.

Lori Kent is a New York City based visual artist and writer. Since 1995, she has worked primarily in beeswax, wood and other organic materials to create pastoral images, often reduced to elements such as grass, trees, sky, and field. Her works document cultivated, idealized or nonexistent nature. Each image is a singular proposition on paradise lost or reconfigured in her native South (New Orleans). The green expanses are depictions of human desire and culture building. Dr. Kent is a graduate of Columbia University and has worked as an artist, education researcher, and director of the arts education program at Hunter College, CUNY. Numerous solo and group exhibitions during her tenure in New York continue her conversation about reimagined nature.

Art Share - Summer

Unexpected Spaces: Public Art Residency
Applications Due:
June 30th 2019

Greywood Arts is delighted to introduce a new residency opportunity for artists with a public art practice.

This one-month residency in Sept/Oct 2019 offers accommodation, workspace and materials to a visual or performing artist interested in exploring a project that engages and impacts viewers in the rural East Cork Village of Killeagh.
For more info & to apply:
https://greywoodarts.org/unexpected-spaces/


May Sunday 
The Creative Killeagh May Sunday Festival was a smashing success, with approximately 1,000 visitors taking part in art workshops, walks, talks, guided meditation, storytelling, a torchlight processions, and of course – lots of music & dancing! A big thank you to the community for your tremendous support.

Summer 2019
We’re in the process of organising events, workshops and perhaps another pop-up restaurant for July & August – stay tuned, and let us know if there’s something you’d like to see!

We’re aiming to publish our next edition of Crossing the Dissour, an online journal about creative process, sometime in July.

Workshops & Performance with Joanna Rotkin

Workshops: 
Wednesday May 15 @ 7:30pm
Friday May 17 @ 11am
€10

Performance:
Friday May 17 @ 7:30pm
€5


About The Anatomy of Improvisation:

ALL WELCOME – NO DANCE EXPERIENCE NECESSARY, JUST CURIOSITY & DESIRE TO MOVE!

After leading a Laban/Bartenieff based warm-up, I give everyone an image to play, grapple with, and explore. I then step back and am quiet for awhile, as each participant finds their way into a dance that is already in the room, simply waiting to be found.

I intersperse prompts and/or images here and there as I see/feel how the ensemble is forming and taking shape. I might say something like: “Imagine your breath making contact with the inside edges of your body,” or “How and what are you seeing with your eyes, even if your eyes are closed” or “There is a trio, solo, and quartet taking shape. Notice if and when those groupings change” or “How do the borders of your body meet and engage with the borders of the other bodies in the room.”

I’ll be quiet again until another prompt/image arises. There will be long stretches of time when there is no music, and long stretches of time when there is. Some people will vocalize and some will not, depending on what surfaces for each student.

Sometimes the work that emerges is quiet and delicate, with a lot of stillness and slowness in the dancing, and sometimes it gets wild, with a huge amount of movement filling the space. It simply depends on what sort of dance we are all stepping into on that particular day.

However it goes, I spend a lot of time giving people the space and time to sequence through their own internal experience before the dancing moves into a more external realm. Because everyone is following their own timing and curiosity, some people move out of their internal experience much more quickly than others, while some stay in their own internal world for the entirety of the class session.

Stillness is valued as much as movement in my classes, and I emphasize letting the body lead the experience of each dancer, with the mind placed slightly behind and following, if not beside the body as we move into a more “advanced” way of working.

I invite each dancer to enter into the dance space with curiosity and kindness. Loads and loads, so that we — as a collective — may expand our capacity to encounter, and then experience that moment when boundaries dissolve, and one’s internal experience becomes indistinguishable from one’s external experience.


About The Sky Inside: 

The Sky Inside follows 21 local residents as they find their way into their dancing bodies. Throughout the course of this film, stereotypes and expectations of who gets to take up space and be seen, break open as people of all different ages and histories — dance.

“This is a film about the improvisational dance class I’ve been teaching since 2003. Sometimes I dance with the class, and sometimes I watch. What I see when I watch is so beautiful to me – the honesty that these bodies bring to the dance floor each week – it astounds me, makes me weep, and leaves me breathless, over and over again. I wanted to share this with you, the beauty these dancers bring, so I made a film. It’s called The Sky Inside because that’s how it feels to me: That the sky is inside, all of us.” – Joanna

 


Joanna Dance, Nikon-59 (1)About Joanna: 

Joanna Rotkin is an independent dance artist living in the small mountain town (pop. 267) of Jamestown, Colorado, USA. She’s been creating original dance performances in and around this locale, as well as in Arizona, California, Mexico, Michigan, and New York City, since 2003.

She’s made dances at a number of site-specific locations, including: a swimming pool, a racquet ball court, a creek bed, an office space, an outdoor café, and on top of and around a Subaru Outback. She’s filled stages with moss, dirt, astro turf, and hanging umbrellas, as well as duct taping food to a dining room table. In her group work, she consistently works with, and seeks out, adults who do not have a background in technical dance, and who range in age from 24-85.

This past year, she was invited to re-make her improvised dance solo, Dog Dance, for 12 dancers, ages 41-85, and present it at The Americans for the Arts Annual Convention and The Denver Art Museum.

Most recently, she was accepted as an artist-in-residence at Kunstnarhuset Messen, in Ålvik, Norway for the month of June, 2019.

Joanna has taught at The University of Colorado, Naropa University, Bennington College, Prescott College, and numerous public schools and community centers.

She has an MFA in Dance from Bennington College in Vermont.

 

 

 

 

Crossing the Dissour

Crossing the Dissour: a journal about creative process is now live!

www.crossingthedissour.ie

A project many months in the making, we are delighted to share the work of some brilliant past Greywood residents, accompanied by their thoughts on how and why their work came into being.

Assembled by Greywood’s Artistic Director Jessica Bonenfant and writer / musician Ryan Mihaly, Crossing the Dissour presents contributions from:

crossing the dissour

Aisling Flynn
Patrick Beurard-Valdoyle & Isabelle Vorle
Gráinne Daly
Orla McAlinden
Emily S. Cooper
Carol Elkovich
Ryan Mihaly & Karolina Zapal
Laura Scheringa
and interviews with Naomi Litvack, Paula Bomer, Margareth Stewart, Mark W. Sasse & E.R. Murray

While the inaugural issue was by invitation, we’ll accept open submissions for our next edition slated for July.

Head on over to www.crossingthedissour.ie and let us know what you think!